Noah Berrie (b. 1998, New York) is a London-based artist and musician working with sound as a sculptural, spatial, and relational material. Using feedback systems, custom-built electronics, and acoustic assemblage, Berrie composes self-sounding installations and performances that investigate how space, resonance, and perception co-produce one another. His work often unfolds in real time, drawing attention to the fragile architectures of listening.

During his Victoria House residency, Berrie will develop a new cycle of works for his forthcoming solo exhibition at Haus für Medienkunst Oldenburg (January 2026). These large-scale, electroacoustic environments continue his inquiry into the material conditions of sound, tracing architectures of transmission and porous thresholds between object, body, and atmosphere.

Berrie holds an MA from Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA), and has held residencies at Audium Theatre of Sound (San Francisco), the Sarabande Foundation (London), High House (Norfolk), and Studio Richter Mahr (Oxfordshire). His work has been presented internationally in the US, Mexico, France, Ireland, and across the UK.

Recent projects include Interval (2024), a kinetic string installation and live performance broadcast on RTM.fm; Mirror (2024), a magnetised steel sculpture that produces sound via vibration and rust; and Organ Music (2022), a multichannel composition for 176 loudspeakers and prosthetic voice, developed in darkness for Audium Theatre of Sound.

Website: www.noah-b.xyz